By BY LAURA COLLINS-HUGHES from NYT Theater
https://ift.tt/2YaRyFW
Aya Ogawa’s gentle, forthright reckoning of a play is a belated processing of the loss of a parent by a daughter who now has children of her own.
‘The Nosebleed’ Review: ‘Who Here Hates Their Father?’
By BY LAURA COLLINS-HUGHES from NYT Theater
https://ift.tt/2YaRyFW
Aya Ogawa’s gentle, forthright reckoning of a play is a belated processing of the loss of a parent by a daughter who now has children of her own.
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