By BY GIA KOURLAS from NYT Arts
https://ift.tt/3n8GBgQ
The opera’s choreographer and co-director, Camille A. Brown, talks about the legacy of the African diaspora and influence of “School Daze” in her dances.
How ‘Fire Shut Up in My Bones’ Brought Step to the Met
By BY GIA KOURLAS from NYT Arts
https://ift.tt/3n8GBgQ
The opera’s choreographer and co-director, Camille A. Brown, talks about the legacy of the African diaspora and influence of “School Daze” in her dances.
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